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Bad Roads – a form of oral history about the ongoing war in Ukraine – is a political act, documenting a shocking reality in a conflict characterized by fakery.
Too much misery toughens the heart, whereas the best art softens it. Jeannette Walls’s The Glass Castle is art of the latter kind.
Sonia Brownell married George Orwell on his consumptive deathbed in 1949. This strong play gives a compelling insight into this extraordinary figure.
Hir, Taylor Mac’s raucous black comedy about small-town American values and trans politics, is both daringly subversive and very, very funny.
I saw Anatomy of a Suicide the night of the election. As it turned out, it could have described the results.
Swing Time, an outlier in Zadie Smith’s oeuvre, is stylistically interesting, socially aware, funny and wise.
An Inspector Calls is a GCSE staple, but, asks Emily Bueno, does it really have any relevance?
This Marlowe revival is visually spectacular but somewhat superficial.
It is a story that is devastating because its married protagonists, Pauline and Michael, make misery their quotidian experience.
