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Almost two years after it was first performed in Edinburgh in 2014, Rona Munro’s cycle of Scottish history plays remains a heady brew.
Hailey Bachrach reviews a hotly-tipped American debut.
Hailey Bachrach refused to believe that King Lear With Sheep existed. But then she went. And it was real. King Lear… performed by sheep.
The excellent monologue Chef, by Litro alumnus Sabrina Mahfouz, places universal issues of life and death in an inescapably feminist frame.
Just as the Globe and Propeller present all-male Shakespeare without explaining why, Smooth-Faced Gentlemen’s all-female Titus Andronicus offers no commentary for its casting: it simply is.
Golem, by theatre company 1927, is both a social commentary and a celebration of the liveness of theatre.
