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The fractured Abigail at the Bunker Theatre is like watching an episode of Art Attack if the TV had turned off halfway through.
A Man of Good Hope brings colour and exuberance to the travails of refugees, writes Becky Latham.
Jim Sheridan’s The Secret Scripture is like a sugary meringue: satisfying in the moment but ultimately insubstantial.
With the Bush Theatre stripped of a home, this new site-specific festival aims to make a virtue of necessity.
Philip Ridley’s play is like a tangled web of weeds with just a few blooming flowers.
Panama Papers are released confirming our long existing suspicion about corruption under our noses, Bug – Tracy Letts’ play about paranoia in an Oklahoma motel room – feels timely.
Tracy Letts’ play about paranoia in an Oklahoma motel room – feels timely.
Anna Jordan’s Bruntwood Prize-winning play Yen is a moving piece of theatre that respectfully illustrates the damaged lives of a group of people, writes Rebecca Latham.
Cary Fukunaga’s acclaimed Netflix feature risks reinforcing simplistic views of children and conflict in Africa, writes Rebecca Latham.
Theodore Roosevelt and Elvis Presley’s lives did not intersect – but that has not prevented Brooklyn’s The TEAM, from binding them together in a heartfelt psychedelic drama.
