On the evening before the Oscars, Clémence Sebag reflects on the lack of female director nominees.
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With echoes of Tennessee Williams’ classic American play, Cate Blanchett stars as the fading figure of class and virtue in Woody Allen’s latest Blue Jasmine
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In the last of her articles on the relationship between music and poetry, Clémence Sebag looks at how the spoken word draws on musical influences.
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Should song lyrics ever be called poems? Clémence Sebag explores the murky world of musicians who claim poet status.
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Is Dido lifting her lyrics from Jacques Prévert? Are Bloc Party paying tribute or plagiarising? Clémence Sebag investigates the relationship between pop music and poetry, from Mick Jagger to Metallica ...