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He started by telling me that it was all interconnected: the colt, the earth, the skirt, the strawberry and so on; because it had all been very well thought out, the relationship between the colours, the clothes, how the rooms were separated and even the way the man scratched his ear, a small homage to his ex-wife who, despite being far away, was undeniably present in everything around him; and so, because all the elements were there together, there was a sense of urgency in the air and the congruence of these things provoked a flurry of poetry which would inevitably be perceived by anyone, pushing into the background all the care taken with technique leaving only the odour of sanctity...