Every House Learnt How to Burn
A poem/dialogue on possibility and impossibility.
Constantinople’s Jacket
In “Constantinople’s Jacket,” Álvaro Enrigue turns corporate certification into a sharp, absurd and brutal satire of workplace obedience. Translated by Diego Gómez Pickering, the story follows an office swallowed by ...
The Crab’s Back
In “The Crab’s Back,” Natalia Toledo moves through Zapotec memory, childhood, pain, tradition and exile in a poem of startling bodily force. Translated by Diego Gómez Pickering, the poem asks ...