If I had known that, five minutes into sitting down to watch £¥€$ (LIES), I would have to empty my wallet onto the table in front of me and invest ...
Ibsen is considered a father figure for today’s realist theatre. But this canonisation loses sight of the originality of his voice, argues Xenobe Purvis.
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Last week, the National Theatre suddenly announced that Richard Bean’s phone-hacking satire Great Britain would open five days later. But can theatre really achieve a sense of topical immediacy?
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Dan Hutton looks back at an extraordinary month of London theatre.
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