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Go shoppingOthello at the Union Theatre
Setting Othello in early 20th century India is a radical choice, and one that brings with it a number of risks.
You have no items in your cart. Want to get some nice things?
Go shoppingSetting Othello in early 20th century India is a radical choice, and one that brings with it a number of risks.
How does Joe Hill-Gibbins’ bold new production of Measure For Measure deal with Shakespeare’s “problem play”? Unproblematically, says Xenobe Purvis.
Hailey Bachrach refused to believe that King Lear With Sheep existed. But then she went. And it was real. King Lear… performed by sheep.
In her second review from this year’s Wilderness Festival, Becky Ayre watches a charming outdoor version of Twelfth Night.
Just as the Globe and Propeller present all-male Shakespeare without explaining why, Smooth-Faced Gentlemen’s all-female Titus Andronicus offers no commentary for its casting: it simply is.
It’s often overlooked that Othello ends with not one, but two, marital murders. This bold new production, set in contemporary London, allows Emilia’s tragedy to stand alongside Desdemona’s.
As Shakespeare in Love opens at the Noel Coward Theatre, Xenobe Purvis looks at how generations have shaped the Bard in their image.
Philip Davis, editor of The Reader Magazine, puts Shakespeare in an fMRI and watches the brain light up, its pathways shift.
In the last of our Shakespearean Sonnet competition winners, Philippa Barker contemplates her desktop.
In the fourth of our Shakespearean Sonnet competition winners, Linda Atterton takes a new angle on Romeo and Juliet.
In the third of our Shakespearean Sonnet competition winners, Brian Robert Flynn revisits John Keats’ sonnet 635: ‘When I have fears that I may cease to be’.
In the first of our Shakespearean Sonnet competition winners, Uschi Gatward reappropriates Sonnet 66 for the modern economy.
Ann Skea looks back on why only Ted Hughes could have written Shakespeare and the Goddess of Complete Being — an audacious and imaginative reappraisal of the works of Shakespeare.