The story of violinist Haïm Lipsky’s post-Auschwitz recovery drew tears from the audience.
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Sitting in Notting Hill’s Print Room, watching Deathwatch on the thirtieth anniversary of Genet’s death, Xenobe Purvis couldn’t help but wonder: what would Genet have made of this production?
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When Alec Guinness starred in the original 1949 production of T.S. Eliot’s The Cocktail Party, he said: “I don’t know what it means. In fact, I don’t know what meaning ...
Robert Holman’s new play has, at its core, five disparate but simple images. In a climate where theatre so often aspires to the cinematic, this is truly refreshing, writes Xenobe ...
