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Is Wild Ink a mystery, a black comedy about those on the fringes of society, or an alternative thriller about terrorism in London?
David Mitchell’s ambitious new novel addresses the metaphysical, but is grounded in a realism that both disturbs and amuses.
Alison Moore’s follow-up to the Booker Prize shortlisted The Lighthouse walks a tightrope between tragedy-cum-thriller and deadpan comedy — and doesn’t fall.
Judgement, morality, and the difference between right and wrong take centre stage in this cerebral thriller.
