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In our second round-up, a meditation on grieving, a factually-driven examination of the refugee crisis and a tale of loneliness in the social media age.
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VAULT Festival Round-Up: Fcuk’d, Exactly Like You, Fran and Leni and Balancing Acts
As London’s VAULT Festival enters 2017, Ana Malinovic samples some of what’s on offer.
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Neuro-Landscapes: YOUARENOWHERE at Shoreditch Town Hall
Though it may be difficult to take in or understand, it’s like nothing you’ve seen before.
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VAULT Festival Round-Up: Racial Politics and Mind-Reading
In the second of our VAULT Festival round-ups, Ana Malinovic sees an Austrian mind-reader and a searing monologue on US racial politics.
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Reclaiming Woyzeck’s Marie: The Sun Shining On Her Hands at the Bread and Roses Theatre
The character of Marie in Georg Büchner’s Woyzeck is traditionally dismissed as either a harlot or an irrevelance. Cassiah Joski-Jethi’s play seeks to reclaim her.
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“Another Kind of Dreaming”: Penny Woolcock’s Utopia at the Roundhouse
Penny Woolcock’s imaginatively executed work holds a mirror up to our society – and is driven by a burning urge to give a voice to the dispossessed.
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“Past Claim of Meaningful Existence”: The Defeated Individual in Beckett’s Act Without Words I, Rough for Theatre II and Catastrophe
Three short Samuel Beckett plays are currently being performed at the Old Red Lion Theatre. They seem incredibly disparate – but, in fact, argues Ana Malinovic, they all share a ...
Transient Spaces: The Hotel at 47/49 Tanner Street
Since Punchdrunk debuted their iconic Sleep No More in 2003, the immersive hotel experience has become a subgenre of its own. Ana Malinovic looks at the latest example by emerging ...
London International Mime Festival: Mat Ricardo: Showman at Leicester Square Theatre
Showman, the tour de force by gentleman juggler Mat Ricardo, reinvents an overlooked art, says Ana Malinovic.
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Immersive Dystopia: Forget Me Not at the Etcetera Theatre
Forget Me Not, an immersive show at Etcetera Theatre, imagines a dystopian world in which all art and creativity is banned. Ana Malinovic is impressed…
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Dystopia: “Are There Any Paranoids in the Theatre Tonight?”: Roger Waters’s The Wall as Dystopian Spectacle
“Are there any paranoids in the theatre tonight?” asked Roger Waters in his spectacular revival of Pink Floyd’s dystopian classic The Wall at Wembley Stadium. Whether it’s excessive surveillance, institutional ...
Pushed to the Limit: A Comparison Between Simon Stephens’s Punk Rock and His Adaptation of A Doll’s House
In the past year Simon Stephens has gone from raw, controversial doyen of new writing theatres to a darling of the West End. Ana Malinovic saw a production of his ...
Book Review: And the Mountains Echoed by Khaled Hosseini
And the Mountains Echoed is a worthy and emotional successor from the author of A Thousand Splendid Suns and The Kite Runner whilst managing to be even more emotionally heart-wrenching.
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“The Charisma of Things” in Shakespeare’s Restless World: Neil MacGregor at the National
As part of The National Theatre’s ongoing Platform season of talks and events, I recently attended a fascinating talk from Neil MacGregor about his latest book Shakespeare’s Restless World. MacGregor’s ...
“I am not what I am”: Othello at the Lion and Unicorn theatre
The Lion and Unicorn theatre is an intimate setting for the domestic turmoil of Othello; a small stage situated above a pub. Upon entering the space of this theatre, you ...
Halbwelt Kultur: Decadence and Darkness in 1920s Germany
Halbwelt Kultur, which just completed its first run at New Wimbledon Studio as parts of the Fresh Ideas programme, hones in on an intensely tumultuous period of history: that of ...
Blurring the Lines Between Poetry and Music: the Art of Leonard Cohen
How different, if at all, is the art of songwriting compared to that of crafting poetry? I would be inclined to argue that the answer is in the question: poetry ...
“Thou comest in such questionable shape”: Hamlet at The Rose Theatre
One of the unique and perhaps fundamental elements to the drama in Shakespeare’s Hamlet is a clear sense of the passage of time. The impact this has on the play’s ...













