The fractured Abigail at the Bunker Theatre is like watching an episode of Art Attack if the TV had turned off halfway through.
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A Man of Good Hope brings colour and exuberance to the travails of refugees, writes Becky Latham.
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Jim Sheridan’s The Secret Scripture is like a sugary meringue: satisfying in the moment but ultimately insubstantial.
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With the Bush Theatre stripped of a home, this new site-specific festival aims to make a virtue of necessity.
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Philip Ridley’s play is like a tangled web of weeds with just a few blooming flowers.
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Panama Papers are released confirming our long existing suspicion about corruption under our noses, Bug – Tracy Letts’ play about paranoia in an Oklahoma motel room – feels timely.
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Tracy Letts’ play about paranoia in an Oklahoma motel room – feels timely.
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Anna Jordan’s Bruntwood Prize-winning play Yen is a moving piece of theatre that respectfully illustrates the damaged lives of a group of people, writes Rebecca Latham.
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Cary Fukunaga’s acclaimed Netflix feature risks reinforcing simplistic views of children and conflict in Africa, writes Rebecca Latham.
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Theodore Roosevelt and Elvis Presley’s lives did not intersect – but that has not prevented Brooklyn’s The TEAM, from binding them together in a heartfelt psychedelic drama.
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