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Love, Sex & Other Foreign Policy Goals, the debut novel by The Thick of It and Peep Show writer Jesse Armstrong, is about a idealistic theatre troupe that travels to ...
The Problem of Past Attitudes: Pop-Up Opera’s Die Entführung aus dem Serail
Mozart’s Die Entführung aus dem Serail relies on Turkish stereotypes, presenting problems for modern audiences. How do the innovative touring company Pop-Up Opera approach this?
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Sweeney Todd and the Relocation of the Fourth Wall
A pop-up version of Sweeney Todd, at Harrington’s Pie an Mash Shop, is completely unsettling and completely brilliant. But should we be starting to worry about the trend for experiential ...
Theatre of Images: A Breakfast of Eels at the Print Room
Robert Holman’s new play has, at its core, five disparate but simple images. In a climate where theatre so often aspires to the cinematic, this is truly refreshing, writes Xenobe ...
Infinite Absurdities: Six Characters in Search of an Author at the Barbican
Pirandello’s daring play prompted walk-outs when it premiered in 1921. Almost a hundred years later, as Paris’s Théâtre de la Ville brings their production to the Barbican, this is equally ...
“The Rest Is Ritual”: Dara at the National Theatre
In the popular mind, the creation of the Taj Mahal is equated with a single act of love. Dara, Tanya Ronder’s impressive adaptation of a Shahid Nadeem play, restores the ...
Wonder in Bloomsbury: Robert Irwin in conversation with Marina Warner at the London Review Bookshop
In November, the oldest known collection of Arabic short stories, Tales of the Marvellous and News of the Strange, was finally released in English translation. Xenobe Purvis sees Robert Irwin, ...
Representing The Poor: How Behind The Beautiful Forevers Marks A Refreshing Approach To Poverty
At the time that Behind The Beautiful Forevers – about the slum-dwellers of Mumbai – opened at the National Theatre, Band Aid faced criticism for their ultra-emotive portrayal of poverty. ...
A Sweet Deceit: Stink Foot at the Yard Theatre
Director Jeff James has a unique take on Sophocles’ tragedy Philoctetes: he stages it entirely in a pool of treacle.
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Frieze Art Fair 2014: Day Four
Saturday was the last day of the Frieze Art Fair. Xenobe Purvis reflects on the wonder of the event.
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Frieze Art Fair 2014: Day Three
Today, Xenobe Purvis wanders off-site to Frieze Masters – a relatively recent addition to the sprawling Frieze complex.
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Frieze Art Fair 2014: Day Two
An eccentric self-interview, soup from Fukushima, everlasting pauses… Xenobe Purvis observes day two of the Frieze Art Fair.
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Frieze Art Fair 2014: Day One
Since 2003, the Frieze Art Fair in Regent’s Park has been at the forefront of contemporary art. Xenobe Purvis is there to survey the proceedings – and here is her ...
Has La Ronde Lost Its Shock Factor?
Xenobe Purvis reviews Swings and Roundabouts, a new take on Arthur Schnitzler’s La Ronde. It’s perfectly pleasant but, she asks, where’s the original shock factor?
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A Bounteous Soundscape: Live/Revive/Lament at the Saatchi Gallery
Silent Opera have been hailed for their innovative approach to the operatic form. Xenobe Purvis witnesses their busy, idiosyncratic soundscape…
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Protean Shakespeare: Shakespeare in Love and the Many Faces of the Bard
As Shakespeare in Love opens at the Noel Coward Theatre, Xenobe Purvis looks at how generations have shaped the Bard in their image.
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Vonnegut in Hackney: How To Make Your Soul Grow at the Arcola Theatre
In 2006, Kurt Vonnegut told a class of schoolchildren how art could benefit their souls. Now, at the Arcola Theatre, fifty East London teens show that they have heeded his ...







