Bad Roads – a form of oral history about the ongoing war in Ukraine – is a political act, documenting a shocking reality in a conflict characterized by fakery.
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Lola Arias’s melancholic study of the Falklands War is a strange and poignant show about war and memory.
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I saw Anatomy of a Suicide the night of the election. As it turned out, it could have described the results.
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“Virginia. Her name is practically vagina. Of course, she’s a slut.” It’s New York. It’s infidelity. It’s hilarious.
The play centres around four friends and a hidden secret that reveals itself ...
Lucy Kirkwood’s latest effort is as much about people as about the environment, writes Simon Fearn.
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In the days since I’ve left the theatre I’ve become increasingly fixated with X.
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Anna Jordan’s Bruntwood Prize-winning play Yen is a moving piece of theatre that respectfully illustrates the damaged lives of a group of people, writes Rebecca Latham.
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Theodore Roosevelt and Elvis Presley’s lives did not intersect – but that has not prevented Brooklyn’s The TEAM, from binding them together in a heartfelt psychedelic drama.
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Dan Hutton looks back at an extraordinary month of London theatre.
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