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Who Speaks?: No’s Knife at the Old Vic
In No’s Knife, Lisa Dwan goes from being Beckett’s interpreter to his intercessor.
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The Powers That Control Us: Beckett’s Catastrophe and Havel’s Private View at the Drayton Arms Theatre
Lochlan Bloom reviews a double bill of plays: Private View, Václav Havel’s commentary on moral compromise in a dictatorship, and Catastrophe, Beckett’s tribute to said Czech dissident.
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The Paris Review: Edward Albee’s At Home and at the Zoo at the Théâtre du Rond-Point
Edward Albee is known for exerting iron control over productions of his plays. Erik Martiny reviews a Paris production of his one of a rare, experimental prequel.
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“Past Claim of Meaningful Existence”: The Defeated Individual in Beckett’s Act Without Words I, Rough for Theatre II and Catastrophe
Three short Samuel Beckett plays are currently being performed at the Old Red Lion Theatre. They seem incredibly disparate – but, in fact, argues Ana Malinovic, they all share a ...
Searching for Watt: Barry McGovern in Watt at the Barbican
You’d be forgiven for thinking we’ve perhaps seen all there is to see of the acclaimed Irish playwright Samuel Beckett. After all, there have been a myriad Vladimirs and Estragons ...