This exploration of Victorian responses to the telegraph is wonderfully thought-provoking, writes Eleanor Franzén.
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This Marlowe revival is visually spectacular but somewhat superficial.
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For fans of speculative fiction and “London” novels, Neville’s second novel arrives right on time.
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The RSC’s revival is Ben Jonson for the 21st century.
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We all like a good story. The reliable arch of a narrative is what impels us to read, to go to the theatre, to write. For this reason I will ...
For such a reasonably well-known name, Georgia O’Keeffe is vastly underrated.
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However, I retain a strong dislike for anything that defines itself by how edgy it is.
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Florian Zeller’s latest is a play for our post-fact, Brexity age.
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Though it may be difficult to take in or understand, it’s like nothing you’ve seen before.
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Philip Ridley’s play is like a tangled web of weeds with just a few blooming flowers.
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The story of violinist Haïm Lipsky’s post-Auschwitz recovery drew tears from the audience.
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For a play about a suicidal woman, Terence Rattigan’s play is remarkably funny.
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In the days since I’ve left the theatre I’ve become increasingly fixated with X.
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Sitting in Notting Hill’s Print Room, watching Deathwatch on the thirtieth anniversary of Genet’s death, Xenobe Purvis couldn’t help but wonder: what would Genet have made of this production?
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“The only way theatre can interrogate our relationship with the digital world is by embracing the live-ness.”
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The only way theatre can interrogate our relationship with the digital world is by embracing the live-ness that is theatre. Why go to the theatre to watch a simplistic and ...
Panama Papers are released confirming our long existing suspicion about corruption under our noses, Bug – Tracy Letts’ play about paranoia in an Oklahoma motel room – feels timely.
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Tracy Letts’ play about paranoia in an Oklahoma motel room – feels timely.
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Stuart Slade’s inventive, rich BU21 – which imagines a horrific terrorist attack on London – shows that a play can explore issues of grief and calamity without ever being a ...
Florence Keith-Roach’s Eggs, which has just finished its run at the VAULT Festival, is the mark of an impressive talent.
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