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In our second round-up, a meditation on grieving, a factually-driven examination of the refugee crisis and a tale of loneliness in the social media age.
As London’s VAULT Festival enters 2017, Ana Malinovic samples some of what’s on offer.
In our latest VAULT round-up, two new writing talents and a unique electronic immersive experience.
Florence Keith-Roach’s Eggs, which has just finished its run at the VAULT Festival, is the mark of an impressive talent.
In the second of our VAULT Festival round-ups, Ana Malinovic sees an Austrian mind-reader and a searing monologue on US racial politics.
In the first of two VAULT Festival round-ups, we survey two earnest Scotland-set plays and a gloriously silly piece of physical theatre.
Love to Love to Love You sees actress and writer Florence Keith-Roach bring Schnitzler’s La Ronde into the disco era.
Thirty-six years after Ian McEwan’s debut was published, a new theatrical adaptation of The Cement Garden at the VAULT Festival proves that it still has the power to shock.
