In our second round-up, a meditation on grieving, a factually-driven examination of the refugee crisis and a tale of loneliness in the social media age.
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As London’s VAULT Festival enters 2017, Ana Malinovic samples some of what’s on offer.
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In our latest VAULT round-up, two new writing talents and a unique electronic immersive experience.
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Florence Keith-Roach’s Eggs, which has just finished its run at the VAULT Festival, is the mark of an impressive talent.
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In the second of our VAULT Festival round-ups, Ana Malinovic sees an Austrian mind-reader and a searing monologue on US racial politics.
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In the first of two VAULT Festival round-ups, we survey two earnest Scotland-set plays and a gloriously silly piece of physical theatre.
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Down the Rabbit Hole is a Lewis Carroll-inspired show by the troupe Airealism. The more you think about it, argues Michael Reffold, the more Alice in Wonderland and the circus ...
Love to Love to Love You sees actress and writer Florence Keith-Roach bring Schnitzler’s La Ronde into the disco era.
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Spoken Mirror’s There’s a Monster in the Lake, a stirring trip through an enchanted woodland which opens this year’s VAULT Festival, is a rarity in theatre: a piece that could ...
Thirty-six years after Ian McEwan’s debut was published, a new theatrical adaptation of The Cement Garden at the VAULT Festival proves that it still has the power to shock.
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Lou Stein reanimates his 1982 adaptation of Hunter S. Thompson’s Fear and Loathing in Las Vegas at the VAULT Festival, while Rupert Goold directs ‘a new musical thriller’ version of ...
