Photo By Ben Kidoum
“A plurality of death, night of terror, a cruel night. People who loved each other and loved this place absorbed all that they had so suddenly lost ...
In the murky world where shadows blend into the even darker shades of espionage and international intrigue, David Bickford, with a past woven deeply into the fabric of British intelligence, ...
We sit with a question that Hiwa’s brother Gara writes in a letter: “What makes the past so dangerous?” To which Hiwa contemplates, “Is it the past that makes the ...
“I had lost faith in novelly novels. In their fake plots, fake events, fake characters.” Jonny Aldridge talks autofiction, masculinity and Wes Brown.
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Litro celebrates the power of translated fiction with its top 8 picks of translated books that have enriched the literary landscape of 2023.
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Jesi Bender’s Kinderkrankenhaus reviewed
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Raven Leilani’s debut novel Luster reviewed
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Sheila Armstrong’s debut short story collection, How to Gut a Fish, reviewed
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Leonora Carrington. Self-portrait, c.1937–38. The Metropolitan Museum of Art, New York, The Pierre and Maria-Gaetana Matisse Collection, 2002 © 2022 Estate of Leonora Carrington / Artists Rights Society (ARS), ...
Not all that is hidden is lost
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Gabrielle Civil’s the deja vu: black dreams and black time reviewed
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Sequoia Nagamatsu’s debut novel How High We Go in the Dark reviewed
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Kim Fu’s Lesser Known Monsters of the 21st Century reviewed
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Lucie McKnight Hardy’s latest collection of stories, Dead Relatives, reviewed
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Kieran Dodds’ photo book Church Forests of Ethiopia reviewed
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Raymond Antrobus’ latest collection of poetry, All the Names Give, reviewed
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Out Front the Following Sea reviewed
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Tate Modern’s A Year in Art: Australia 1992 exhibition, spotlights the trauma of post-colonial Australia and its continued influence today.
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Curdella Forbes’ novel A Tall History of Sugar reviewed
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Khadija Abdalla Bajaber’s novel The House of Rust reviewed
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