• EGGS

    EGGS

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    NOTHING ELSE ON MY END

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    BOOK REVIEW: 533: A BOOK OF DAYS

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    THE PARROT

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    THE HEAT OF THE MOUNTAIN

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    YEAR OF THE LIZARD

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    BOOK REVIEW: BRICKMAKERS

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    UNTAMED

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    CHATHAM

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    BOOK REVIEW: THE INTERIM

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    PRAISE FOR AN UNOPINIONATED INTRODUCTION TO PHILOSOPHY

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    FOREST FIRE

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    BOOK REVIEW: LOVE IN THE BIG CITY

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    TWELVE IMAGES OF CENTRAL PARK ON OLD POSTCARDS

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    BOOK REVIEW: EMPTY WARDROBES

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    DISTANCE

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    SKYWRITING

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    BOOK REVIEW: RESET

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    THE SWAMP THING AND THE FIRE GOD

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    EDITOR’S LETTER: NATURE ISSUE

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    NEW YORK, NEW YORK

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    A Flash of Inspiration: “The End of the 20th Century”

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    THERE’S ONLY ONE STRAIGHT PATH IN CENTRAL PARK

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    THE ISLAND

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    INSIGHTS AT LIQUORLAND

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    IN THIS WIDE AND WICKED WORLD

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    UNRELIABLE MEMOIR: CLOTHES

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    EDITOR’S LETTER: FRIENDSHIP ISSUE

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    1/16, 1/32, 0

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    CENTRAL PARK AS YOSEMITE

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    THE RBG VOTING RIGHTS ACT: REAUTHORIZATION & AMENDMENTS ACT OF 2021

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    THREE POEMS FROM ONLY YESTERDAY

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    AINU OTHELLO: THE STORY OF A PLAY

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    INTERVIEW WITH MARI KATAYAMA

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    A HIGH-TECH ANCIENT STILLNESS

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    EDITORS’ LETTERS: SPRING 2021 JAPAN ISSUE

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    THIS IS WHY WE STOPPED NAMING THE HORSES

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    A Flash of Inspiration: “Bad Qi” by Lucy Zhang

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    POSTER BOARDS AT THE PROTEST

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    MATCH THE PERSON TO THE LIGHTS THEY LOVE

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    the sky the ground

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    IT’S CLINICAL

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    FAR FROM FORSAKEN

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    KEEPING UP WITH MYSELF, KEEPING UP WITH YOU

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    EARLY THERMAL WEAPONS

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    VIETNAMESE GUY AT THE NAIL SALON

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    CONCENTRIC CIRCLES

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    Manhattan Schist

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    WANDERING STARS

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    EMILY, ANECHOIC

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    Someday We’ll Dance Again

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    Someone to Love Me

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    LONGING

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    The Provision of Benches

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    STOP MAKING SENSE

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    FROM SOMEWHERE

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    NO MAN’S LAND

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    Roman Numeral Relationships

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    A CALIFORNIAN LIVING IN NEW YORK DURING COVID-19

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    The Compass Turns Thrice

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    ROSIE GOLDSTEIN WAS A DOG

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    LOVE-YOU-LOTS

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    A Tyranny of Wind

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    SHAMU CAM

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    THE SNAKE

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    The Future of Love

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    Getting By, Going By

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    Sickle Claws: Hesperonychus Monstrous

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    A Very Open Letter from Donald Hump

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    TOLSTOY VISITS HIS STEPMOM

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    Twisting the Reels

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    Van Gogh Unbound

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    MEDUSA GOES TO MORRISONS — BY EMILIA ONG

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    Feelin’ like a Criminal: Trauma in ‘My Dark Vanessa’ through the music of Fiona Apple

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    The Frugal Repast

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    Hindsight 2020: Notes on the First Year of the Trump Presidency

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    THE END OF THE 20TH CENTURY

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    Lenin in the Sky

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    Very Little like Alan

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    The Adidas Yeezy; Or, The Self in Modern Times

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    ON THE RECENT SERIES OF DISAPPEARANCES IN YOUR SMALL TOWN

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    Guilty as Hell

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    Starchy

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    VIEW OF THE POND

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    somewhere there is an abandoned refrigerator

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    THE MOST BEAUTIFUL RUINS

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    NAME HER FOR HOPE —

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    A Legacy of Aunting in the Literary Community

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    Catch and release

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    ARMBARS–IOWA CITY 1995

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    Coronavirus, or the voices to forget

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    AGAIN, YET AGAIN

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    Opera at the Bistro

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    BAD QI

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    =

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    Graffiti

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    Little America

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    M and M

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    Dear Galactic Living (From the Dystopian Letters)

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    Fry Person

  • Things Behind the Sun

    Things Behind the Sun

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    FISH

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    Strange Waters

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    Can’t You Do Something About This?

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    When Blankoids Sing They Sound Like Elvis

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    CUTTING TREES

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    I Want You to Know That I Was Hot Too

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    THE “JESUS LOVES ME” PAWN SHOP STORIES

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    Dear Rap Music (from the Dystopian Letters)

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    Rawhead and Bloody Bones

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    A Dream

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    The Journey into Sacred Profanity: A Colorado Dance Troupe’s Mission of Empowerment

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    Dear Africa (from the Dystopian Letters)

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    Dear Corporate State (from the Dystopian Letters)

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    Rome Suppressed

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    Dear Pandemic (from the Dystopian Letters)

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    Prozac and Presence

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    Art & Technology: Spring 2020: Editor’s letter.

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    Coming of Age on a Day of Rage

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    The story of my first love

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    The Writing’s on the Wall

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    A Lack of Understanding: Storytelling for Robots

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    The Representation of Augmented Reality in Fiction 

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    Interview with Virtual Reality artist, Rachel Rossin

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    Interview with multidisciplinary artist Nwando Ebizie

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Masterclasses

Novel Writing: The Secrets for Success

The day course will examine the fundamental building blocks of a strong, compelling (and ready-to-submit) novel. Areas covered include pace and characterisation - with special focus on building tension and suspense - as well as the editing and submission process. The course is suitable for both beginners and those who have started writing but would love additional tips and direction.

Felicia Yap
One-day Course

Handling Rejection, Building Resilience

In this one-day workshop, Jenny Knight will teach writers how to navigate the process of handling inevitable setbacks, building resilience, and creating a supportive writing community.

Jenny Knight
One-day course Oct. 30

Short Story Lab: How to Start a Story… with

The first in Maria Thomas's series of online workshops for budding and practicing short story writers.

MARIA THOMAS
4 Weeks - 2nd October
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